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Gasket Fits 1984-1993 Volvo 244,245 240 242 Bosal 49 State Converters on 2040-parts.com

US $12.52
Location:

Rockville Centre, New York, United States

Rockville Centre, New York, United States
Condition:New Quantity Sold:sold individually Other Part Number:599.921, 22304, BSL256877 SKU:BO:256-877 Type:Loose Parts Brand:Bosal Pallet Footprint Size:48X48 Manufacturer Part Number:256-877 Harmonized Tariff Code (HTS):8484100000 Country of Origin (Primary):IN Fitment Footnotes:Inlet; Life Cycle Status Description:ANNOUNCED Quantity Needed:1; Remanufactured Part:N Interchange Part Number:224 53008 040, 1266713, 224 53008, 2107-22304 Life Cycle Status Code:4 UPC:Does not apply

Porsche Panamera – a real Porsche +video

Sat, 17 Oct 2009

Porsche have produced a promo video for the Panamera to show it's a real part of the Porsche family But I was won over with the Cayenne when I first got to drive one. So much so I bought one – and I’ve kept it for four years. I’ve driven most Porsches over the years and admired them hugely.

New smart fortwo electric drive enters production

Tue, 12 Jun 2012

Mercedes has announced that the third generation 2012 smart fortwo electric drive has gone in to production. Mercedes may, very sensibly, be pursuing hydrogen fuel cells as the real future of motoring but they still have an eye on electric cars as urban runarounds. That urban EV takes shape as the Smart EV, and the third generation smart fortwo ED (electric drive) debuted at the Geneva Motor Show in March and has now gone in to production.

Car collector and artist makes you look twice

Mon, 20 Aug 2012

As with most artists, Louis Carvell simply sees the world differently than others, and his passion for cars and car collecting led him to create a thought-provoking (and clever) body of work he entitled: “Reincarnations: Car Parts ReBorn.” The photographic collages are of spare vintage-automobile parts inspired by, “the dream cars of the Eisenhower era,” Carvell said. “These pieces are art in and of itself. Initially, I photographed them [alone] against white, seamless.” Eventually, Carvell decided to expand and refine his concept and place the parts into surrealist tableaux, to give one pause to consider these objects outside their defined roles.